Align
We define the audience, story, tone, references, and deliverables before the timeline fills up.
Byad Khalid
I turn raw footage into work that feels clear, paced, and intentional. Editing, motion, color, and finishing—handled with a technical eye and an editor’s instinct.
Watch the reel
Editorial rhythmMotion systemsColor storiesVisual directionSound designFinishing
The work, in motion.
Step inside the timeline.
Explore selected projects as if you were inside my editing workspace. Choose a project, play the composition, scrub the timeline, and see how footage, type, color, and texture come together.
Select a project on the right · Spacebar controls playback
Open full workspace ↗
From first cut to final frame.
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01
Editorial
Structure, pacing, selects, and sound—building a cut that holds attention without getting in its own way.
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02
Motion design
Titles, transitions, graphics, and compositing designed to support the story and the identity around it.
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03
Color & finish
Color, cleanup, sound polish, and delivery across the formats your campaign or platform actually needs.
An editor’s eye with a technical mind.
My background in technology shapes how I approach post-production: organized systems, precise decisions, and no mystery around the process. The goal is simple—make the idea land, make the frame feel right, and deliver work everyone can stand behind.
- After Effects
- Premiere Pro
- DaVinci Resolve
- Cinema 4D
- Photoshop
- Audition
Clear process. Better work.
Shape
I build the structure and pacing first, then layer motion, sound, and color where they earn their place.
Finish
Feedback stays focused, files stay organized, and final masters arrive ready for every required channel.